VSO’s new streaming service amasses 3,000 subscribersand 30,000 concert views, in just 3 months!
During this unusual and unforgettable season, without in-person concerts, the Vancouver Symphony Orchestra (VSO) continues to offer extraordinary music and to build new audiences – all viaits new virtual home, TheConcertHall.ca, presented by TELUS. The VSO’s musicians and guest artists are beautifully recorded in 360-degree views, using state-of-the-art audio and video technology, while following strict social distancing protocols. Highlights of the season on TheConcertHall.ca, since its launch in October 2020 – 13 concerts to date – include Bach with James Ehnes, Vivaldi’s Four Seasons, holiday programming for families, and VSO Music Director Otto Tausk, leading music by Beethoven, Mussorgsky and Sibelius, as well as contemporary works by Jennifer Butler, George Walker, and others.
The Vancouver Symphony Orchestra’s new initiative was inspired by the Berlin Philharmonic’s Digital Concert Hall and its model of offering audiences access to every concert that has been performed and recorded, all for a monthly subscription fee. (Annual subscriptions to TheConcertHall.ca are $129.99, with options for weekly and monthly viewing). The VSO is the first orchestra in North America to adopt this model, and plans to release more than 40 performances over the course of this inaugural season. With TheConcertHall.ca, the VSO continues to develop new ways to bring the concert experience to its loyal listeners, while attracting many new ones online. To date, 25% of subscribers come from outside the Vancouver area.
In reviewing TheConcertHall.ca’s first performance, the Vancouver Sun praised Maestro Tausk’s “calm confidence” as he navigated the new and “unorthodox setup.” Vancouver Classical Music called it “an impressive and innovative effort” and “a cause for celebration.” VSO audiences have responded enthusiastically, with over 3,000 subscribing to the monthly service. Concerts on the new platform have received well over than 30,000 views to date.
A MONTH OF MOZART AT THE VSO
The VSO celebrates the New Year and Mozart’s birthday with a Month ofMozart! The virtual mini-festival on TheConcertHall.ca features Mozart’s first and last symphonies, the Gran Partita for wind ensemble, as well as music influenced by Mozart from Mahler, Alfred Schnittke, Friedrich Gulda, and former VSO Composer-In-Residence Jocelyn Morlock.
“Mozart always lifts the spirits,” comments MaestroOtto Tausk, “As we head into another year of turbulence, but with hope on the horizon, nothing seems more appropriate than to celebrate Mozart and his impact on our musical world. This music brought much joy to me and the musicians of the VSO as we recorded it. I hope you will share in this emotion as we dive into a new year.”
Mo-Zart! – Release date January 17
RGF Integrated Wealth Management Spotlight Series
Mozart: Gran Partita, the Serenade No. 10 for winds in B-flat major, is notable for its beauty as well as its key appearance in the film Amadeus. Scored for 12 winds and string bass, the work highlights the orchestra’s clarinets and their big brothers, the basset horns, in music that is richly textured, intricate and playful. Listen for contributions by the VSO’s Jeannette Jonquil (principal clarinet), Roger Cole (principal oboe), Michelle Goddard (basset horn), Julia Lockhart (principal bassoon), Olivier de Clercq (principal horn), and their colleagues.
Also on the program is Zart (2006) by former VSO Composer-In-Residence Jocelyn Morlock. The work is inspired by the sweeter side of Mozart, The Magic Flute in particular.
A Tale of Two Mozarts – Release date Jan 22
Assante Vancouver Centre Stars Series
One of history’s greatest prodigies, Mozart wrote his first sonata at the age of five and his first symphony at the age of eight. This program contrasts Mozart’s astonishing 1st Symphony with his last and greatest symphonic achievement, the Symphony No. 41, or “Jupiter” Symphony. Composed just three years before the composer’s tragic, early death at 35, the “Jupiter” is among the most transcendent music ever written, featuring a melody which echoes back to the 1stsymphony.
Viennese Reflections – Release date Jan 29
Newmont series
Viennese jazz/classical composer-pianist Friedrich Gulda (1930-2000) was renowned for his interpretations of Mozart. Echoes of that genius can be heard in his Concerto for Cello and Wind Orchestra (1988), a surprising and dazzling collage of lyrical tunes and frenetic dances. The performance features the VSO’s newly appointed principal cellist Henry Shapard. At just 21, Shapard is the youngest musician to hold this position with a major orchestra in North America.
Gustav Mahler (1860-1911) adored Mozart and, as a conductor, was in large part responsible for the revival of his music on opera and concert stages. The gorgeous Adagietto from Mahler’s Symphony No. 5, scored for harp and string ensemble, was a declaration of love to his wife Alma.
Finally, the great Russian postmodernist Alfred Schnittke dissects Mozart and his mentor, Haydn, in Moz-Art à la Haydn (1977),a clever and virtuosic piece of musical theatre. The work features musical quotations played by two violins, highlighting VSO Concertmaster and Associate Concertmaster Nicholas Wright and Timothy Steeves.
Special Event: Otto Tausk & Rodney Sharman in conversation – Thursday, Jan 21, 2pm
A conversation about Mozart, with Maestro Otto Tausk and former VSO Composer-In-Residence Rodney Sharman. Sharman has spent significant time studying the works of Mozart, extending the master’s works into new compositions, and even uncovering the original notes Mozart wrote for his first symphony – before his father Leopold made a few “corrections.”
HOW TO WATCH
All performances available for streaming in TheConcertHall.ca, the virtual home of the Vancouver Symphony Orchestra. 30-day passes for a Month of Mozart are available for only $15.99 CAD. Includes access to all previously released concerts as well as new releases.
ABOUT THE VANCOUVER SYMPHONY ORCHESTRA
Founded in 1919, the Grammy and Juno-award winning Vancouver Symphony Orchestra is the third largest orchestra in Canada, the largest arts organizations in Western Canada, and one of the few orchestras in North America to have its own music school. Led by Music Director Otto Tausk since 2018, the VSO performs more than 150 concerts each year, throughout Vancouver and the province of British Columbia, reaching over 270,000 people annually. On tour the VSO has performed in the United States, China, Korea and across Canada. The orchestra presents passionate, high-quality performances of classical, popular and culturally diverse music, creating meaningful engagement with audiences of all ages and backgrounds. For the current season, the VSO may be heard in its virtual home, TheConcertHall.ca.
THANK YOU!
In this challenging COVID season, the VSO acknowledges the incredible support of its sponsors and many donors. This season celebrates the 70th anniversary of the VSO’s partnership with TELUS, marked fittingly by TELUS presenting TheConcertHall.ca. The VSO also thanks Assante Vancouver Centre, Newmont, RGF Integrated Wealth Management, London Drugs, and OriginO – series sponsors of the 2020-21 season.
THE NATIONAL YOUTH ORCHESTRA OF CANADALAUNCHES COMPREHENSIVE VIRTUAL SEASON
in its 61st year as Canada’s Premiere Orchestral Training Institute
Last spring, the National Youth Orchestra of Canada (NYO Canada) joined the rest of the nation – and the world – in struggling to meet the new realities of the Covid-19 pandemic. Despite the many challenges, NYO Canada was determined not to let down the deserving and gifted young musicians who had worked so hard to earn a place for its 60th anniversary season and international tour. In just a few short weeks, NYO launched a successful 45-day online musical training and professional development session, providing a much-needed lifeline for these newly-isolated young musicians. Now, for its 61st season, NYO Canada is poised to launch a comprehensive “cancel-proof” training institute, with expanded programs, scholarships for all, and masterclasses with international marquee artists – while preparing musicians to be performance-ready, as soon as it is possible to reunite in person.
“With uncertainty around the virus set to continue well into 2021, we have been hard at work reimagining the future,” comments Barbara Smith, President and CEO of the National Youth Orchestra Canada, “Rather than taking a step back, we are innovating and growing forward, developing an unsurpassed online program to become a core element of our training long into the future. Our goal is to galvanize our young musicians to be better prepared than ever to ‘shoot out of the gate’ as Canada’s next-generation of orchestral music leaders, when the pandemic is behind us.”
NYO’s 2021 virtual training institute will be comprised of workshops, masterclasses with international luminaries, a vastly expanded mental performance and mindfulness skills program, online performances, business skills development, recordings, and more. And, for this exceptional year, NYO is expanding membership from 92 up to 140 musicians, offering more opportunities to more talented young performers.
SCHOLARSHIPS, AWARDS & SPECIAL EQUIPMENT
In addition to free tuition, each NYO Canada musician receives a $1,000 scholarship, and each has the chance to compete for 10 new Awards of Excellence of $5,000 each. These awards are in addition to the annual Michael Measures Prizes ($25,000 and $15,000 for First and Second Prizes), in partnership with the Canada Council for the Arts. Microphones for use during the session will be provided free to all musicians who need them, with faculty also receiving training and support to create an optimal online teaching environment.
INTERNATIONAL MASTERCLASSES
With online instruction now opening unlimited geographical possibilities, NYO has assembled an extraordinary international faculty for 2021, joining our illustrious core faculty in Canada. These musical luminaries from prestigious schools and orchestras around the world include: Andrew Wan, violinist and Concertmaster of Orchestre symphonique de Montréal; Stephen Rose, head of the violin department at the Cleveland Institute of Music and principal second violin of the Cleveland Orchestra; Atar Arad, viola faculty at the Jacobs School of Music, Indiana University; Violist Harmut Rohde, founding member of the Mozart Piano Quartet and faculty at the Universität der Künste Berlin; Peter Wiley, cello faculty at the Curtis Institute of Music; Timothy Pitts, professor of double bass at Rice University’s Shepherd School of Music; Hans Jørgen Jensen, professor of cello at Northwestern University; Elaine Douvas, principal oboe of the Metropolitan Opera Orchestra and instructor at The Juilliard School; Yehuda Gilad, clarinet faculty at the Colburn School in Los Angeles; Benjamin Kamins, bassoon faculty at Rice University’s Shepherd School of Music; Sarah Willis, the first-ever female horn player with the Berlin Philharmonic; Roger Bobo, tuba and low brass instructor at the Musashino School of Music in Tokyo; Mariko Anraku, Associate Principal Harp of the Metropolitan Opera Orchestra; Jauvon Gilliam, principal timpanist of the National Symphony Orchestra; and Anneleen Lenearts, solo harpist of the Vienna Philharmonic Orchestra.
Additional faculty to be announced; artists are subject to change.
MENTAL HEALTH AND MINDFULNESS
Since launching the three-year J & W Murphy Initiative in Mental Health pilot-project (2018-2020), NYO Canada has already become a world leader in musician mental health, among both training and professional orchestras. The onset of the pandemic has reinforced the need for ongoing mental health and wellness support, which has been endorsed unanimously by NYO musicians. NYO is thrilled to have secured support from the J & W Murphy Foundation for an expanded program, including custom-designed one-on-one high-performance focus training, and mindfulness and meditation support. NYO faculty for these initiatives include Matt Eldridge, social worker and former Cirque du Soleil performer; Dr. Sommer Christie, a consultant to Olympic athletes, surgeons, and performers in mental skills training; Carolyn Christie, former flautist with Orchestre symphonique de Montréal and a specialist in teaching mental skills to musicians; and Dr. John McMillan, Associate Physician at Musicians’ Clinics of Canada.
MORE LESSONS, MORE WORKSHOPS, AND PERFORMANCES
Musicians will benefit from triple the number of individual lessons. Additional workshops will include audio capture, video production, online marketing, earning royalties, and how to use social media as an artistic medium. The work of the training institute will flow into a series of online public performances, which will be accessible not only to Canadian audiences, but to orchestral music lovers around the world.
FLEXIBLE AND READY TO PERFORM IN PERSON
While ramping-up its online capacity in 2021, NYO Canada is remaining at the ready, guarding the possibility of in-person study and performance when public health allows. As soon as we are able meet again in person to experience the magic of live performance, NYO Canada’s musicians will be ready to tour in small groups, possibly as one or two small orchestras, regionally or nationally. Post Covid-19, the NYO experience will extend over a longer period, blending its online training institute with the in-person session and tour, creating a more robust, hybrid NYO Canada in the years ahead.
NYO Canada is grateful to the RBC Foundation, stepping forward as the Digital Innovation and Development partner, the J & W Murphy Foundation, for supporting the mental health and performance focus components, our generous government supporters from the Department of Canadian Heritage and the Ontario Arts Council, and the many individuals, foundations and corporations who have continued and even advanced their support during these uncertain times.
Applications for NYO 2021, are open starting November 1st through to January 1st.Visit nyoc.org/auditions for more information.
The National Youth Orchestra of Canada(NYO Canada), has enjoyed an iconic reputation as Canada’s orchestral finishing school, providing the most comprehensive and in-depth training program available to the country’s best young classical musicians. Each summer, 100 gifted musicians between the ages of 16 and 28 come together to attend an intensive training institute followed by a national and international tour. NYO Canada discovers and inspires well-rounded and skilled orchestral musicians, supporting Canadian emerging composers and artists, and building an appreciation for classical music among audiences in every corner of the nation. NYO Canada has performed in every major Canadian city and has travelled to 12 countries across Europe and Asia. Today, one-third of Canada’s professional orchestral musicians are alumni of NYO Canada. The orchestra is the subject of “That Higher Level” (2018), feature-length documentary from the National Film Board of Canada.
L’ORCHESTRE NATIONAL DES JEUNES DU CANADALANCE UNE SAISON VIRTUELLE COMPLÈTE
en sa 61e année en tant qu’institut de formation orchestrale prééminent au Canada
Le printemps dernier, l’Orchestre national des jeunes du Canada (NYO Canada) s’est joint au reste du pays, et au monde entier, pour affronter la nouvelle réalité présentée par la pandémie de la Covid-19. Malgré une multitude de défis, NYO Canada était déterminé à ne pas décevoir les jeunes musiciens méritoires qui avaient travaillé si fort pour remporter un poste dans le cadre de sa saison et de sa tournée internationale du soixantième anniversaire. En quelques semaines seulement, NYO a réussi à lancer un programme en ligne de 45 jours, couronnée de succès, englobant formation musicale et ateliers de perfectionnement professionnel. Le programme a constitué une véritable bouée de sauvetage pour ces jeunes musiciennes et musiciens récemment isolés. Actuellement en sa 61e saison, NYO Canada s’apprête à lancer un institut de formation complet « à l’épreuve de annulations » avec des programmes élargis, des bourses pour tous et des ateliers de maître présentés par des artistes de renommée internationale, tout cela en préparant nos musiciens à être prêts à se produire, dès qu’il sera possible de se réunir en personne.
« Comme nous prévoyons que l’incertitude liée au coronavirus continuera de nous hanter en 2021, nous travaillons fort pour imaginer l’avenir, explique Barbara Smith, présidente et chef de la direction de l’Orchestre national des jeunes du Canada. Au lieu de prendre du recul, nous innovons et avançons en grandissant. Nous créons un programme en ligne inégalé qui deviendra l’un des importants piliers d’un avenir que nous imaginons déjà. Notre objectif est de galvaniser nos musiciens afin qu’ils soient plus prêts que jamais à se lancer en grand en vue de devenir la prochaine génération d’étoiles de la musique orchestrale au Canada, une fois que la pandémie sera devenue chose du passé. »
L’institut de formation virtuel 2021 de NYO sera composé d’ateliers, de cours de maître présentés par de grands noms à l’échelle internationale, d’un programme de performance mentale et de pleine conscience grandement élargi, de prestations en ligne, d’ateliers sur le perfectionnement d’aptitudes commerciales, d’enregistrements, et plus encore. Et pour marquer cette année exceptionnelle, NYO élargit son orchestre de 92 à 140 musiciennes et musiciens, offrant encore plus d’occasions de briller à encore plus de jeunes artistes doués.
BOURSES, PRIX ET ÉQUIPEMENT SPÉCIAL
En plus de profiter de l’expérience de NYO Canada sans frais de scolarité, chaque musicien reçoit une bourse de 1 000 $ et a la chance de concourir pour remporter l’un des six nouveaux prix d’excellence de 5 000 $ chacun. Ces prix s’ajoutent aux prix Michael-Measures annuels (de 25 000 $ et 15 000 $ pour le premier et le deuxième prix, respectivement), dans le cadre d’un partenariat avec le Conseil des arts du Canada. Des microphones à utiliser pendant la formation seront fournis gratuitement à ceux et celles qui en ont besoin, et nos enseignants recevront de plus de la formation et de l’appui pour créer un environnement optimal pour la formation en ligne.
ATELIERS DE MAÎTRE INTERNATIONAUX
Les cours en ligne éliminant maintenant tous les obstacles imposés par l’éloignement géographique, NYO a rassemblé pour 2021 un corps enseignant à l’échelle internationale qui se joint à nos enseignants ici même au Canada. Ces grands noms de la musique, nous venant d’écoles prestigieuses et de grands orchestres de partout au monde, englobent : Andrew Wan, violoniste et premier violon de l’Orchestre symphonique de Montréal, Stephen Rose, chef du département du violon du Cleveland Institute of Music et second violon solo du Cleveland Orchestra, Atar Arad, faculté d’alto de la Jacobs School of Music, Indiana University, l’altiste Harmut Rohde, membre fondateur du Mozart Piano Quartet et membre du corps enseignant de l’Universität der Künste Berlin, Peter Wiley, faculté de violoncelle du Curtis Institute of Music, Timothy Pitts, professeur de contrebasse à la Shepherd School of Music de l’université Rice; Hans Jørgen Jensen, professeur de violoncelle à l’université Northwestern, Elaine Douvas, hautbois solo du Metropolitan Opera Orchestra et instructrice à la Juilliard School, Yehuda Gilad, faculté de clarinette à la Colburn School de Los Angeles, Benjamin Kamins, faculté de basson à la Shepherd School of Music de l’université Rice, Sarah Willis, premier cor auprès du Berlin Philharmonic, Roger Bobo, instructeur en tuba et en cuivres graves à la Musashino School of Music de Tokyo, Mariko Anraku, harpe solo associée au Metropolitan Opera Orchestra, Jauvon Gilliam, timbalier solo du National Symphony Orchestra et Anneleen Lenearts, harpe solo du Vienna Philharmonic Orchestra.
D’autres enseignants seront annoncés; les artistes peuvent changer.
SANTÉ MENTALE ET PLEINE CONSCIENCE
Depuis le lancement du projet-pilote de trois ans Initiative J & W Murphy en santé mentale (2018-2020), NYO Canada est déjà devenu un chef de file mondial en santé mentale des musiciens, autant parmi les orchestres de formation que les orchestres professionnels. L’arrivée de la pandémie a souligné encore davantage le besoin pour un soutien permanent à la santé mentale et au bien-être mental, une exigence que les musiciennes et musiciens de NYO ont corroborée d’une même voix. NYO est emballé d’avoir gagné le soutien de la J & W Murphy Foundation pour un programme élargiincluant des formations individuelles personnalisées en entraînement de pointe et du soutien à la pleine conscience et à la méditation. Les enseignants de NYO pour ces initiatives incluront Matt Eldridge, travailleur social et ancien artiste au Cirque du Soleil, Sommer Christie, conseillère en aptitudes mentales auprès d’athlètes olympiques, de chirurgiens et d’artistes, Carolyn Christie, ancienne flûtiste à l’Orchestre symphonique de Montréal et spécialiste en enseignement d’aptitudes mentales aux musiciens et DrJohn McMillan, médecin associé à la Musicians’ Clinics of Canada.
ENCORE PLUS DE COURS, D’ATELIERS ET DE PRESTATIONS
Les musiciennes et musiciens de NYO profiteront de trois fois plus de cours individuels. Parmi les ateliers additionnels, mentionnons la saisie audio, la réalisation vidéo, le marketing en ligne, percevoir vos redevances, et comment utiliser les médias sociaux comme médium artistique. Le travail effectué pendant l’institut de formation mènera à une série de prestations publiques en ligne qui seront accessible aux publics canadiens, bien sûr, mais aussi aux mélomanes du monde entier.
TOUJOURS SOUPLES ET PRÊTS À APPRENDRE ET À NOUS PRODUIRE EN PERSONNE
Nous nous préparons à développer nos initiatives en ligne en 2021, mais NYO demeure prêt aux études et prestations en personne dès que la santé publique les permettra. Dès que nous pourrons de nouveau nous rassembler en personne pour vivre la magie des concerts en direct, les musiciennes et musiciens de NYO Canada seront prêts à partir en tournée en petits groupes, possiblement sous forme d’un ou de deux petits orchestres, et à se produire à l’échelle régionale ou nationale. Après la Covid-19, l’expérience de NYO durera plus longtemps, associant son institut de formation en ligne à des séances en personne et à une tournée afin de créer un NYO hybride, encore plus robuste, pour des années à venir.
NYO Canada exprime sa gratitude à la Fondation RBC qui devient notre partenaire en innovation et développement numériques, à la J & W Murphy Foundation pour son appui à la santé mentale et à l’entraînement de pointe, à nos généreux bailleurs de fonds gouvernementaux du ministère du Patrimoine canadien et du Conseil des arts de l’Ontario, ainsi qu’aux nombreux particuliers, fondations et sociétés qui ont poursuivi ou même augmenté leur appui pendant ces moments remplis d’incertitude.
L’Orchestre national des jeunes du Canada(NYO Canada) jouit d’une réputation stellaire à titre d’école de préparation orchestrale au Canada, et offre aux meilleurs jeunes musiciens classiques du pays le programme de formation le plus complet et le plus approfondi. Chaque été, 100 musiciennes et musiciens doués, de 16 à 28 ans, se rassemblent pour participer à un institut de formation intensive suivi d’une tournée nationale et internationale. NYO Canada dévoile et inspire des musiciens d’orchestre accomplis et habiles, appuie les compositeurs et artistes canadiens en émergence et stimule de l’intérêt à l’égard de la musique classique chez les publics des quatre coins du pays. NYO Canada s’est produit dans toutes les grandes villes canadiennes et s’est rendu dans 12 pays d’Europe et d’Asie. Aujourd’hui, un tiers des musiciens d’orchestre professionnels au Canada sont des anciens et anciennes de NYO Canada. L’orchestre est mis en vedette dans le long métrage documentaire « Le plus haut niveau » (2018) de l’Office national du film du Canada.