News

Composer Wlad Marhulets is the Winner of the Inaugural Azrieli Prize in Jewish Music

The Azrieli Music Project (AMP) is proud to announce that composer Wlad Marhulets is the winner of the inaugural Azrieli Prize in Jewish Music for his Klezmer Clarinet Concerto. Marhulets, who submitted a completed orchestral work on a Jewish theme or subject – along with applicants from around the world – has been granted the second of two $50,000 prizes,…

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Opera on the Avalon Presents the World Premiere of “Ours” ~ July 1 & 2

Newfoundland and Labrador’s Opera on the Avalon proudly presents the world premiere of Ours, a new opera by Juno-nominated Canadian composer John Estacio with a libretto by Governor General Award-winning playwright Robert Chafe. Opera on the Avalon, led by Artistic Director Cheryl Hickman and based in St. John’s, is Atlantic Canada’s only professional opera company. Opera on the Avalon commissioned…

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Brilliant Russian Violinist Roman Mints Returns With Music by Alfred Schnittke, Following his “Fascinating and Technically Brilliant” (The New York Times) Dance of Shadows

The multi-award winning Russian violinist Roman Mints follows up his critically-acclaimed 2014 solo release Dance of Shadows with a new recording for Quartz Music featuring the music of Alfred Schnittke (1934-1998). On Alfred Schnittke Works for Violin and Piano, Mints collaborates with friend and colleague Katya Apekisheva, one of Europe’s most renowned pianists. The new recording includes Schnittke’s Sonatas 1-3,…

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The Sixteen Releases “The Deer’s Cry,” Exquisite Music by William Byrd and Arvo Pärt

“The Sixteen are reclaiming the repertoire with their signature full-bloom sound, exchanging asceticism for generosity and warmth … an essential addition.” – Gramophone Harry Christophers and The Sixteen present a striking new recording, featuring music by two composers – both masters of sacred music – born four centuries apart: William Byrd (c.1539/40 – 1623) and Arvo Pärt (b. 1935). This…

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Première Mondiale en Version Orchestrale de « Le voyage de Babar : Le retour au pays des éléphants » de Raphael Mostel présentée par L’OSM

 « Difficile de résister à son charme ! » – The New York Times Le voyage de Babar : Le retour au pays des éléphants, de Raphael Mostel, sera présenté en première mondiale dans sa version orchestrale par l’Orchestre symphonique de Montréal sous la direction de Dina Gilbert, le 15 mai à 13 h 30 à la Maison symphonique de Montréal. Les comédiens…

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Raphael Mostel’s The Travels of Babar: Return to the Land of the Elephants ~ World Premiere Orchestral Version presented by OSM

“Its charms are hard to resist!” – The New York Times The world premiere of the orchestral version of Raphael Mostel’s The Travels of Babar: Return to the Land of the Elephants will be presented by the Orchestre symphonique de Montréal, conducted by Dina Gilbert, on Sunday, May 15 at 1:30pm at Maison symphonique de Montréal, and narrated in French by…

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New Album from Claire Jones, Former Royal Harpist for HRH The Prince of Wales

“Jones’ sensitivity and panache enchant the senses.” – BBC Music Magazine Welsh harpist Claire Jones, acclaimed for her “virtuosity, enthusiasm, and showmanship” (Daily Mail UK), became a household name in Britain and recognized around the world when she performed at the wedding of the Duke and Duchess of Cambridge at Buckingham Palace in April 2011. Now, Silva Classics (Silva Screen…

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Haimovitz & O’Riley’s Acclaimed Shuffle.Play.Listen. Gets a High-res Re-release on Pentatone

In 2011, pianist Christopher O’Riley and cellist Matt Haimovitz released their genre-blurring double-album Shuffle.Play.Listen. to wide acclaim. Deemed “a landmark record” (Portland Press Herald) and “a stimulating step forward” (AllMusic), Shuffle.Play.Listen. juxtaposes works by Stravinsky, Martinu, Janáček, and Piazzolla with O’Riley’s arrangements of Bernard Hermann, Radiohead, Cocteau Twins, Blonde Redhead, Arcade Fire and John McLaughlin. The new reissue – available…

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Classical Composition Meets American Idol in THE EAR

Leading a movement to reboot mainstream classical music, The Ear returns, following its boisterous debut in October. Provoking an alternative to frequently-alienating “new music,” The Ear is a concert, a rowdy night out, and a competition for mainstream classical composers. The brainchild of composer Alf Bishai, The Ear asks audiences the simple question: Do you want to hear it again?…

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